The Tiger

I am always thankful for the relatively good number of Korean films and TV series Netflix Canada has to offer. When I saw The Tiger had arrived, a 2015 movie with one of Korea’s best actors – Choi Min-Sik – I decided that would be my Saturday night. Of course, my wife was on board. She’s also a fan of Mr. Choi.

In this movie, set during Japan’s brutal occupation of Korea in the early 20th century, Choi plays a renowned hunter, now retired and raising his teenage son on his own. The Japanese governor of the region is a big proponent of hunting – with his office festooned with stuffed examples – and wants the last tiger in Korea killed. In translation, the reason for this is hazy, but it likely has something to do with breaking Korean pride – Korea sometimes links itself to the tiger. In any case, this sets in motion a series of events leading to the promised confrontation of man and animal within the beautiful but brutal precincts of Jiri Mountain.

As a fan and owner of a DVD copy of The Ghost and the Darkness, I went into this with some expectations. Don’t do that. This is a great movie, a really enjoyable experience, but it is a fable. This movie creates a myth. Whereas The Ghost and the Darkness tried to show the terror of nature at it is, the Tiger shows the majesty of nature as many in Korea understood it. There is an  indigenous shamanic belief system/religion which I understand to posit every living thing has a spirit, and one must view this movie with that in mind. I attended a couple of celebrations of mountain gods when I lived in Korea, but my knowledge of the actual belief system is nil, so I’m probably misrepresenting this and for that I apologize.

This movie is as much opera as it is cinema. The tiger acts as no real tiger would, and I saw the “Mountain Lord” – as he is known – as an embodiment of the spirit of the mountain. Is this an allusion, a meditation on pride, despair, and expectation? Sure, or it’s Jaws on a mountain with a tiger instead of a shark. However, whereas the terror of Jaws was in its unthinking, unfeeling antagonist, the Tiger presents nature personified. Think of what we’ve done to it and you might not be surprised that nature is pissed.

I enjoyed this movie for Choi’s amazing performance (pretty much a given), the great locale (my wife and I visited Jirisan in February, just before we got married), and the willingness of the director to provide a moving tale that has a wealth of meaning and thought swimming below the surface. If you want to watch a movie about a super-tiger and the tired old man who may be the only one who can kill it, enjoy! If you want to meditate about the subtext, there’s plenty here to chew on.

I give the Tiger 4.75 tooth and claw fodder foot soldiers out of 5. This is a great looking, pensive movie with streaks of violence and emotion and a stellar cast. This is a definite recommend, especially if you love thoughtful movies, exciting movies, and bombastic movies. This one’s got all that.

You can find out more The Tiger at Wikipedia and IMDB.

You can find out more about The Ghost and the Darkness at Wikipedia and IMDB.

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My Week That Was, 21 October 2016

The best thing I read for class this week was Thomas Fingar’s Reducing Uncertainty, all about the role of intelligence analysis.

I’ve been reading Hyena Road, the novelization of the Paul Gross movie I have not yet seen.

I ran some Sword’s Edge in the campaign I’m calling the Nor’Westers, which uses Western themes and tropes for an adventure set in 1810 along the North West Company’s fur trade route into Canada’s interior.

Favourite podcast listened to this week has to be the Slate Political Gabfest discussing – who could have guessed – the US election, although regular host John Dickerson wasn’t on it.

I’ve actually played about 30 minutes to an hour of computer games a couple of nights after I finish my coursework. I feel guilty, but generally I’m too tired to do anything more productive. This week, I played Darkest Dungeon. Kind of hooked.

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The New Normal

This is a bit of a personal post as well as a kind of situation report. Those of you following me on G+ are probably aware that my family bought a new house. We moved in on 9 Sep and it’s a massive change from what we used to live in. It’s a real house in a real neighbourhood and we’ve already established pretty good relations with almost all our neighbours. The school isn’t as good as the last one (for those in the Ottawa region, Agincourt Public School is superior to Barrhaven Public School in most measures, at least from our experience). This is something we can help to change if we get involved, otherwise we are just whiners.

The big difference is finances. We have gone from being able to pretty much spend however we want to requiring a very tight budget. The finances are in, and based on all indicators, we’re going to be just scraping by and probably significantly dipping into our savings. Now, this will change because I am in line for a couple of raises (waiting for a contract to be signed and then a statutory increase in a year’s time) so this is a temporary matter, but it is something that has created some stress.

What this means is that until our finances change, I’ll only be buying beer on special occasions. I won’t be backing Kickstarters any longer. I won’t be able to pocket-finance projects. I won’t be buying any games, any comics, or really much of anything. Some of this I could have avoided, but I’d rather cut down on my consumption than stop our charitable donations, which aren’t sizeable, but amount to pretty much half of my discretionary spending for a month.

This has a direct effect on my involvement in the RPG community: no conventions except for Breakout Con to which I’ve already committed, but that will be it at least for the next few years. Production at SEP is going to take a hit as I don’t have the time to run Kickstarters when I am studying for a masters (and I may be put on French language training through my job) and I won’t have the money to invest in art, editing, layout, etc.

This is unwelcome but not terrible. We’re looking at a horizon of about three years. At that point, we won’t be exactly back to where we were, but we’ll be pretty far ahead and I’ll be back to having some money in my pocket.

So, if you see some changes, you know why. I’ll still be around virtually and I’ll still be gaming, but what I do and how I do it might change.

Just so you know.

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13 Hours: the Secret Soldiers of Benghazi

After a day of pool-closing and hedge-trimming, I had some hours and decided to take a break from Luke Cage – which my wife isn’t watching yet – to watch 13 Hours: the Secret Soldiers of Benghazi.

I’m not going to comment on the politics of the movie, but it is a bit difficult to ignore them, given the proximity of the event. There are a lot of similarities between this movie and Black Hawk Down, but Black Hawk Down was a decade away from the event and didn’t touch on the main political disagreement from it – the pullout after the release of CW3 Michael Durant.

Instead, what I’d like to comment on is that in Black Hawk Down, every character death – and this does not include the Somalis, except for a particular scene with a father and son that actually made an impact – was significant. I don’t know if Michael Bay was trying to make his own Black Hawk Down, but given the similarity of some of the scenes (the chaotic drive through the middle of a hostile city, the medical triage scene, the philosophizing just before going back into the heat of battle) I tend to think he was. The deaths in 13 Hours that were supposed to be so emotional lacked any real strength. No real effort had been put into making these characters human, only superhuman – having a wife and kids doesn’t a great character make.

Michael Bay will never be Ridley Scott, but even Scott is uneven and performs poorly when he has a poor script. The script for Black Hawk Down – also based on a book with the participation of those involved in the event – was a lot stronger than that for 13 Hours. Bay’s usual pyrotechnic display cannot save the movie, especially when everything else is in such broad strokes. The good guys are completely good, the bad guys are moustache-twirlers, and the bureaucrats are complete idiots who are also complete assholes.

The action is fine, but frankly Strike Back does it better on a lot smaller budget. Strike Back is also better at characterization . . . unless one is speaking of women or minorities, but I’ve made that complaint elsewhere.

I give 13 Hours: the Secret Soldiers of Benghazi 2.5 jugs of oddly flammable diesel out of 5. Mediocre action and cardboard characters make this poorly scripted bulletfest a poor choice unless you are a Bay-fan or looking to add fuel to your Benghazigate fire.

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Kill Zone 2 (aka SPL II: A Time for Consequences)

Having finished unpacking and having (relatively) settled into our new home, and with the readings and discussion topic for my MA course not yet posted, my wife and I had time on Friday evening to watch a movie. Netflix indulged us with a Tony Jaa movie we had not yet seen. This was serendipitous as I had just been in a discussion with the eminent, Enny-award winning local designer (and friend) Todd Crapper about Ong Bok 2 – a huge piece of crap with a few good action pieces scattered within it in my estimation.

Kill Zone 2 inserts Tony Jaa and Thailand into a pretty standard Hong Kong actioner with Wu Jing as the HK counterpart to Tony Jaa. The story includes an organ smuggling ring, a sick daughter, and plenty of coincidence – standard HK fare. The plot and action aren’t bad, and are relatively engaging if you dig on HK action cinema – very similar in the need to inject melodrama and suffering into the action as South Korean actioners.

The action is superb. This is not the best Tony Jaa outing – I think that’s the Protector, but I’ll need to watch it again to see if nostalgia has coloured my perception – and it’s not up to some of Donnie Yen’s best insane action performances, but those are pretty high bars. Anything would suffer by that comparison. I liked the action a lot more than some of the movies I’ve seen recently, and I think both Wu Jing and Tony Jaa deliver satisfying performances. These guys are master thespians, but I wasn’t groaning in the emotional scenes. There were a couple of actual touching moments that I really appreciated, and that’s saying a lot.

I would give Kill Zone 2 4 hidden crescent knives out of 5. This is a solid, enjoyable actioner that delivers good performances from its leads, and allows Tony Jaa to crack heads with elbows and knees. A definite recommendation.

You can find more information at Wikipedia and IMDB.

The Ong Bak 2 discussion.

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Wreck Age

These days, I’m busy getting Sword’s Edge RPG into shape and dealing with getting back into my MA program after a couple of months off, but I am still always interested in other games. I was pointed toward Wreck Age. This is a post-apocalyptic RPG, and while it isn’t my thing, I think it looks pretty interesting. The presentation is great, and the quickstart gives a good idea of how the mechanics work.

I’m a fan of simple systems, and this one looks pretty robust. That said, I like what I see. I think the mechanics look good. I certainly haven’t run it or read through the main rules, but if someone were running this, I’d probably be interested enough to play it.

The art and trade dress gave me a very Rage (as in the computer game) feel – and that’s a good thing. I actually liked Rage quite a lot.

So go have a look and see what you think. If you are into post-apocalyptic games, and dig robust systems, I think this might definitely be worth a look. The quickstart can help you decide if this is something you want to investigate.

Now, back to my own work. Allons-y!

You can find out more about Wreck Age here.

You can find the quickstart rules here.

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More Craft Beers with BBQ

My buddy John who had been transferred to Halifax is back and so we had a bbq with him and his family, which meant a chance to try out some new beers. On the way from our old house to their place takes us right by the LCBO – the liquor store in Ontario, the place where one generally finds craft beers – on March Road (), which generally has a great selection of beers.

First up was Collective Arts State of Mind. State of Mind is a session IPA, and Collective Arts Rhyme & Reason extra pale ale had been a favourite of mine as I was transitioning into hoppy beers. State of Mind is very much like I remember Rhyme & Reason, hints of citrus with just a touch of hops. Very refreshing and great character.

I really wanted to like Whiprsnapr Root of Evil. Whiprsnapr is right around the corner from my old house. Unfortunately, although the smokiness of this “pre-prohibition lager” was interesting, the beer itself was overwhelming. It may have been a problem of having it after State of Mind with nothing to cleanse my palate, but Root of Evil didn’t do much for me.

Beyond the Pale’s Pale Ale Project was the winner of the day. This American-style pale ale had everything that made State of Mind enjoyable, but with an even better balance and smoothness. Again, this may have been because of my disappointment with Root of Evil, but when this hit my tastebuds, my eyes opened a bit wider and I had to smile. Very satisfying.

Barnstormer Flight Delay IPA was a fair enough IPA, but given how many I’ve had, and the quality of my three present favourites (Mad Tom, Red Racer, and Headstock) it’s up against tough competition. It was fine, more like Boneshaker than Mad Tom, but wasn’t particularly distinctive.

And the final was Northwinds Rainmaker, which I had the pleasure of trying at the Northwinds Brewhouse in Collingwood, Ontario. Rainmaker is certainly enjoyable, but also has that touch of pine I taste in Boneshaker. It was a good IPA, but doesn’t break through my top three favourite IPAs.

But I will say that Northwinds Three Stroke extra pale ale is up there against Red Racer ISA and Naughty Neighbour as an excellent, enjoyable pale ale if one is not in the mood for something strong like an IPA.

Of the day’s drinking, I would recommend Pale Ale Project (which may no longer be available) and State of Mind. Both of them were really refreshing and enjoyable. Although summer is coming to an end, these are both outstanding bbq beers.

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