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Disappointment of Man

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The thing with first run movies hitting streaming quickly or at the same time as theatrical releases, is that I see movies a lot earlier than I would. I highly doubt I would have seen Wrath of Man in the theatre. The last Jason Statham movie I saw in the theatre was The Transporter 2, and the last Guy Ritchie movie I saw in the theatre was Sherlock Holmes.

The bottom-line is that I would hesitantly recommend Wrath of Man for Jason Statham fans, and give it a 3 invincible armoured car guards out of 5 (would have been a 2 without Statham). There are parts of a fun action movie here, but additional storylines dilute it and actually ruin parts of the core for me.

Wrath of Man poster with Jason Statham looking sombre in a suit

I think I would have been upset if I had seen Wrath of Man in the theatre, specifically because of the cost. If I had paid good money for this specifically rather than for the streaming service that showcased it, I would have been kind of upset.

Now, if what you want is plenty of Jason Statham, you’ll get plenty of Jason Statham—though less Jason Statham than the grease fight in The Transporter. If what you want is a compelling story, good pacing, and strong characters . . . well . . . no.

Guy Ritchie has never been known for deep characterization, but his usual character shorthand—like in Lock, Stock, and Two Smoking Barrels, or Snatch—worked really well to actualize the characters in a very short period of time, allowing large casts of memorable characters. That doesn’t happen in Wrath of Man. I think there was an attempt to do it, but it failed. It could be that I was more forgiving of movies in 2000 than I am in 2021, but I didn’t find any of the characters in Wrath of Man compelling.

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Dissing the Sea Peoples

I listened to a podcast on the Sea Peoples, because that’s something I do. And now you must all suffer! In case you were looking for context, it’s here.

Even though Sagas of the Sea Peoples won’t be happening, I remain fascinated with this period in history. I’ll read the occasional new article or listen to a podcast discussing the subject. I think I will stick to recent academic pieces, as I am a bit sick of non-critical acceptance of primary sources, like the inscriptions of Pharaonic Egypt.

I’m not going to name the podcast that set this off. It is generally entertaining and only because I have strong assessments of this period based on some strong scholarship did I find the particular episode on the Sea Peoples annoying. And, frankly, I could very much be wrong. Everybody could be wrong. We have so little actual evidence, how can anyone really know.

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Gunpowder Milkshake, a review

Gunpowder Milkshake seems like another attempt to adapt the John Wick formula outside of Wick-verse (is that a thing?). There is enough fun here for a light recommend. I’d give it 3 stoner van-mounted miniguns out of 5. Karen Gillan plays a credible bad-ass, Lena Heady can kill with a stare, and we need a modern Iron Mask re-telling with Angela Bassett, Carla Gugino, and Michelle Yeoh.

Poster for Gunpowder Milkshake including the main characters looking at the camera

The movie is about a woman whose mother—an assassin—abandoned her to a criminal cartel who exploited her greatest natural talent—violence. When I first saw the trailer, I was ready to buy in.

Unfortunately, the movie doesn’t live up to its potential. It meanders a fair amount, seems unfocused in many parts, and wastes an absolutely stellar cast with a movie that both tries to go to far with violence but doesn’t go far enough with the characters. Even while it has sparks of great fight choreography, it too often mistakes graphic violence for exciting action.

But a strong script with strong characters could have saved it. The cast is absolutely stellar, and was even able to squeeze some emotional investment out of this viewer, but the characters were nowhere near strong enough to balance out the deficits with the story.

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Black Widow, a review

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For those not interested in the all the blather, I recommend Black Widow especially to those who follow the Marvel Cinematic Universe. A great cast made me believe in the main characters, adding weight to even pedestrian lines. It made the movie immensely watchable. I give it 4 unstoppable machine-like assassins out of 5. I would argue the bombastic action set-pieces detracted from what could have been a very personal movie illuminating Black Widow’s past.

My family and I were able to catch Black Widow this opening weekend. It was at home, which is pretty much the only way that I will ever see a movie on an opening weekend. We’d be seeing this in the theatre if we considered that an option (we’re very careful in regards to the pandemic). In another time, we’d probably have seen it on the third or fourth week, when the initial rush had died down. Even when streaming is still an option, I’d rather put the extra $35 toward a theatre visit.

Black Widow movie poster

Black Widow occurs between Captain America: Civil War and Avengers: Infinity War. It follows an “on the run” Natasha Romanoff back to Russia as she seeks to stop the program that created her in the first place. We also glimpse the only family Natasha had before she met Clint Barton and joined the Avengers: a sleeper cell of Soviet agents while she was a child. Natasha learns that the leader of the Red Room project, which turns young girls into mindless assassins, is still alive and operating, and so she sets about to stop him.

This movie has the bones of an espionage thriller, not unlike Captain America: Winter Soldier and Civil War, so the less said about the various twists and turns the better. In the end, we have three new characters I would like to spend more time with, including Natasha’s sister—likely to be joining the MCU as the new Black Widow—and her father-figure, a hugely flawed but well-meaning Soviet-Captain America known as Red Guardian. Her mother—the brains of the operation—is a hero in her own right, being the one that ultimately is key to Natasha’s fight to stop the Red Room. It helps that all these characters are played by hugely capable actors who effortlessly inhabit their roles and make them likeable even when they are being unlikeable.

That’s what drove the movie for me. I believed in Natasha’s personal investment, in her need to complete her quest. I also believed—even when maybe she did not—in her connection to her fake family.

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The Tomorrow War, a review

My 30-day free trial of Amazon Prime (they keep offering me free trials, even after I’ve cancelled multiple times) gave me a chance to watch The Tomorrow War starring Chris Pratt, Yvonne Strahovski, and J. K. Simmons. I’m not going to say it was a total waste of 2+ hours, but it was mighty close.

Too long, didn’t read: I would only recommend The Tomorrow War to people who love Chris Pratt and don’t need their movies to make sense or have cool action scenes. If you just want Chris Pratt to be heroic, here you go. There’re some great J. K. Simmons moments, and the acting is generally good, but the writing is horrible. I give this 2 xenomorphs way smarter than people out of 5. I watched this so you wouldn’t have to.

The Tomorrow War official poster with Chris Pratt looking suitably heroic

Without spoiling too much, in The Tomorrow War, soldiers from the future come back to beg the modern world’s help to fight a war against aliens in the future which humanity is most definitely losing. A worldwide draft is instituted and Chris Pratt’s character—a former soldier and scientist—is conscripted for his seven-day tour of duty.

Yes. Seven. Days.

And that is just the start of the problems with this movie. Without getting into spoilers, it fits six pounds of stupid into a five-pound bag. That might be a bit harsh—though only a bit—but this movie is the ur-example of the idiot plot. This story only works if literally everybody—every. body—is an idiot.

People say “just turn off your brain and enjoy,” but the level of brain disconnect it would take for me to enjoy this movie would leave me comatose at best.

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Without Remorse, but With a Review

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My wife and I recently watched Without Remorse. It is a rather pedestrian actioner, elevated by its lead and supporting cast, with acceptable but not innovative action scenes.

Without Remorse poster

Without Remorse takes place in the Tom Clancy-verse (for lack of a better term), or, perhaps more precisely, uses characters and ideas from the Jack Ryan-verse. John Clarke was a major supporting character in a collection of the Jack Ryan novels, and has previously been portrayed on the screen by Willem Dafoe in Clear and Present Danger. I liked Dafoe’s turn as the character, but in that case, he was a grizzled special warfare operator who had spent long years in the covert action community, whereas Without Remorse is an origin story. (I completely forgot about Liev Schreiber as John Clark in the adaptation of Sum of All Fears, and now I need to re-watch that movie, as Schreiber tends to elevate anything he is in)

Michael B. Jordan is the perfect actor to play John Kelly/John Clarke. His physical presence on the screen is magnetic, and his charisma is undeniable. He makes Kelly’s heroics believable, and he projects quiet intensity in every scene. You never forget how driven this character is.

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Zombie Heists

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Dark and dour poster for the movie Peninsula

So, I have now seen both Peninsula (Train to Busan 2) and Army of the Dead, both of which are stories of a group sent into zombie-infested territory to secure money. There is very different world-building, different character styles, and different stories, but the premises are the same.

And both were disappointing.

Of the two, I preferred Peninsula. It injected new elements, and some interesting story beats, and more fully realized characters, but the pacing was still off, there were too many clichés, and the general experience didn’t satisfy me. Army of the Dead, on the other hand, I just found poorly written. There were very few redeeming features. And, wow, there was A LOT of fridging the feminine characters.

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Extraction: A Review

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This review was first presented on my Patreon.

Extraction is the new Chris Hemsworth action movie released on Netflix.

The summary according to Rotten Tomatoes is:

Tyler Rake (Chris Hemsworth) is a fearless black market mercenary with nothing left to lose when his skills are solicited to rescue the kidnapped son of an imprisoned international crime lord. But in the murky underworld of weapons dealers and drug traffickers, an already deadly mission approaches the impossible, forever altering the lives of Rake and the boy.

The action is outstanding. Hemsworth is physically believable as Rake, and the action choreography leans toward the John Wick school of extreme action. It’s done quite well and this is where the movie shines. Hemsworth has a great alter-ego in the film played by Randeep Hooda. Their two characters cut through the opposition with gritty aplomb, and when they end up opposite each other, it’s a treat.

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Time to Hunt: A Review

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This review was first presented on my Patreon.

I had the chance to catch the new South Korean thriller, Time to Hunt, on Netflix this week. 

The plot, as summarized on Rotten Tomatoes is:

In a hopeless dystopian city, Jun-seok (LEE Je-hoon) is released from prison and plans his next step in life in order to start anew with his friends Jang-ho (AHN Jae-hong), Ki-hoon (CHOI Woo-shik) and Sang-soo (PARK Jeong-min). But their excitement for the plan is short-lived as an unknown man chases after them. Can these best friends get away from the hunt?

The story is actually pretty generic when one breaks it down. The “plan” involves the robbery of an illegal casino. Up until then, the most outstanding part of the movie was the setting and atmosphere. This isn’t a science-fiction movie per se, but it’s definitely set at some point in the future. 

The South Korea of this film is hopeless, mostly abandoned, covered in constant smog, and depopulated. I think anyone will be affected by the setting presented in the film, but if you’ve actually lived in South Korea, especially in a major urban centre, the shots of block after block of empty streets and abandoned stores have a very visceral impact.

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