For those not interested in the all the blather, I recommend Black Widow especially to those who follow the Marvel Cinematic Universe. A great cast made me believe in the main characters, adding weight to even pedestrian lines. It made the movie immensely watchable. I give it 4 unstoppable machine-like assassins out of 5. I would argue the bombastic action set-pieces detracted from what could have been a very personal movie illuminating Black Widow’s past.
My family and I were able to catch Black Widow this opening weekend. It was at home, which is pretty much the only way that I will ever see a movie on an opening weekend. We’d be seeing this in the theatre if we considered that an option (we’re very careful in regards to the pandemic). In another time, we’d probably have seen it on the third or fourth week, when the initial rush had died down. Even when streaming is still an option, I’d rather put the extra $35 toward a theatre visit.
Black Widow occurs between Captain America: Civil War and Avengers: Infinity War. It follows an “on the run” Natasha Romanoff back to Russia as she seeks to stop the program that created her in the first place. We also glimpse the only family Natasha had before she met Clint Barton and joined the Avengers: a sleeper cell of Soviet agents while she was a child. Natasha learns that the leader of the Red Room project, which turns young girls into mindless assassins, is still alive and operating, and so she sets about to stop him.
This movie has the bones of an espionage thriller, not unlike Captain America: Winter Soldier and Civil War, so the less said about the various twists and turns the better. In the end, we have three new characters I would like to spend more time with, including Natasha’s sister—likely to be joining the MCU as the new Black Widow—and her father-figure, a hugely flawed but well-meaning Soviet-Captain America known as Red Guardian. Her mother—the brains of the operation—is a hero in her own right, being the one that ultimately is key to Natasha’s fight to stop the Red Room. It helps that all these characters are played by hugely capable actors who effortlessly inhabit their roles and make them likeable even when they are being unlikeable.
That’s what drove the movie for me. I believed in Natasha’s personal investment, in her need to complete her quest. I also believed—even when maybe she did not—in her connection to her fake family.Read More »Black Widow, a review